Academic Schedule Summer Session 1

The course is designed as a field study in Venice and will focus on the 60th International Art Exhibition of the Venice Biennale and its collateral events as its primary resource, as well as study the history of technology within art, fashion, and visual communication as exhibited in the Venice museums, archives, depositories, private collections, and production sites. Special attention will be placed on the interaction between human and machine during creative processes that lead to art installations, design blueprints, and other manifestations of creativity. The course cost covers accommodations in Venice, local public transportation, museum and exhibition entrances, and some extracurricular activities. Students are required to make their own travel arrangements to and from Venice. Please consult Professor Fassl prior to making your arrangements. Please make sure to meet all registration and deposit deadlines. This course carries a supplemental fee.

This course introduces students to the basic concepts and tools needed to make wise and informed personal financial decisions. The content of this course is presented from a practical point of view and with an emphasis on the consumer as the financial decision-maker. The primary objective of this course is to help students apply finance practices to their own lives. For example, students will learn how to plan and manage personal finances, how to obtain credit to purchase a home or a car, and how to invest personal financial resources in stocks, bonds, and real estate. Students will also learn how to interpret financial and economic news that have an impact on personal finances.

This course will survey the history of Italy from the end of the Roman Empire to the dawn of the Renaissance. Topics covered in this nearly 1000-year stretch of time include, but are not limited to, the Germanic invasions of the fifth century, the rise of the papacy and the papal states, the Arab and Byzantine conquests of Sicily and southern Italy, civic government in the medieval city-states, political thought in the age of Dante, Humanism, and the early Renaissance fascination with Roman antiquity. This class takes advantage of FUS’s unique position on the doorstep of Italy and will include several guided visits to medieval churches, castles, towns, and abbeys in Ticino and the northern region of Italy. All reading are in English, a combination of medieval sources in translation and recent scholarship. This course carries a supplemental fee: 155 SFR/180 USD.

Designed for students with no prior knowledge of Italian. ITA 100 employs immersive experiential learning pedagogy, providing an introduction to the essentials of Italian grammar, vocabulary, and culture. The acquisition of aural/oral communication skills will be stressed and, as such, the predominant language of instruction will be Italian. By the end of the course students will achieve proficiency at the A1 level of the Common European Framework of Reference for Languages. Students are expected to acquire the basic knowledge of the written and spoken structures. Students are expected to read and comprehend short passages in Italian and to draft simple compositions / dialogues. Project-based assignments will be designed to foster practical communication skills and encourage efforts towards increased student integration in the local Italian-speaking community. Whenever possible, students will be encouraged to participate actively in local initiatives, festivals, events and to apply the skills they are mastering in class to their co-curricular learning on and off campus

This computer-based course presents the main concepts in Statistics: the concept of random variables, frequency, and probability distributions, variance and standard deviation, kurtosis and skewness, probability rules, Bayes theorem, and posterior probabilities. Important statistical methods like Contingency analysis, ANOVA, Correlation analysis and Regression Analysis are introduced and their algorithms are fully explained. The most important probability distributions are introduced: Binomial, Poisson, and Normal distribution, as well as the Chebyshev theorem for non-known distributions. Inferential statistics, sampling distributions, and confidence intervals are covered to introduce statistical model building and single linear regression. Active learning and algorithmic learning are stressed. Emphasis is put both on algorithms –methods and assumptions for their applications. Excel is used while calculators with STAT buttons are not allowed. Ultimately students are required to make a month-long research project, select the theoretical concept they want to test, perform a literature review, find real data from Internet databases or make their surveys, apply methods they studied in the class, and compare theoretical results with their findings. Research is done and presented in groups, papers are Individual. Selected SPSS or Excel Data Analysis examples are also provided.

The purpose of the course is to explore and understand the use of classical music in art movies. From Bach to Mahler and from D. W. Griffith's Birth of a Nation to Stanley Kubrick's 2001 A Space Odyssey, classical music has been used as leitmotiv and supporting narrative in film. Based on the chronology of music history and the use of classical music in period movies, the course analyzes the way in which specific pieces of music have contributed to some of the greatest films of the past. Musical and film extracts will be viewed and discussed

This course examines the political processes that shape conflict and consensus in Middle Eastern societies. From this perspective, main regional conflicts are analyzed. The confrontation between (1)Iran and the Arab World and (2)Israel and the region at large are surveyed in light of intra-Arab antagonisms and the historical great power rivalry for hegemony in the area. Special focus is directed toward an understanding of the politics of modernization and the clash between tradition and modernity. Recommended POL 100.